Andrew Hostick Still Life Card Set
This eight card set includes two of each design and eight envelopes
Blank inside
4.25” x 5.5”
Andrew Hostick’s artworks begin with close observation.
Paintings by masters, as well as advertisements and endorsements in Art in America or Artforum are typically his starting point for any piece. The reference images allow him to focus on the image’s organization of objects and hue. Thus, via both emulation and creative adjustment, the artist practices a sophisticated use of composition and color theory.
Though he initially only worked in colored pencil on mat board, Andrew has of late been expanding his creative skills by adding painting, papier-mâché, and ceramics to his repertoire.
Hostick’s drawings are typically heavy-handed mark-making which builds up a velvety sheen of color on the surface. He works and reworks the entire surface (even white on white) with unparalleled intensity.
This eight card set includes two of each design and eight envelopes
Blank inside
4.25” x 5.5”
Andrew Hostick’s artworks begin with close observation.
Paintings by masters, as well as advertisements and endorsements in Art in America or Artforum are typically his starting point for any piece. The reference images allow him to focus on the image’s organization of objects and hue. Thus, via both emulation and creative adjustment, the artist practices a sophisticated use of composition and color theory.
Though he initially only worked in colored pencil on mat board, Andrew has of late been expanding his creative skills by adding painting, papier-mâché, and ceramics to his repertoire.
Hostick’s drawings are typically heavy-handed mark-making which builds up a velvety sheen of color on the surface. He works and reworks the entire surface (even white on white) with unparalleled intensity.
This eight card set includes two of each design and eight envelopes
Blank inside
4.25” x 5.5”
Andrew Hostick’s artworks begin with close observation.
Paintings by masters, as well as advertisements and endorsements in Art in America or Artforum are typically his starting point for any piece. The reference images allow him to focus on the image’s organization of objects and hue. Thus, via both emulation and creative adjustment, the artist practices a sophisticated use of composition and color theory.
Though he initially only worked in colored pencil on mat board, Andrew has of late been expanding his creative skills by adding painting, papier-mâché, and ceramics to his repertoire.
Hostick’s drawings are typically heavy-handed mark-making which builds up a velvety sheen of color on the surface. He works and reworks the entire surface (even white on white) with unparalleled intensity.